| 2013 |
Article on the work of Cadi Froehlich, a postgraduate student from Chelsea College of Art and Design for Axisweb as part of their MA Stars Programme |
| 2013 |
‘Volatile Materials in Image Making: The Appeal of Fire and Explosives in the 20th and 21st Centuries, using the work of Stephen Cripps as a point of articulation’, in Performance Research, Volume 18, No.1, February 2013 |
| 2013 |
an essay for Caroline McCarthy’s project for the Norfolk and Norwich Festival, May 2013 |
| 2012 |
interview with the artist Tania Kovats for the booklet GRAIN, published to coincide with her Wiltshire County Hall commission |
| 2010 |
editor Searching for Art’s New Publics published by Intellect Books |
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essay on the work of artist Nicky Hirst for Wild Blue Yonder publication |
| 2009 |
interview with artist Marion Coutts for Pilot publication |
| 2008 |
catalogue essay for National Review of Live Art 30th Anniversary edition |
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essay Selling Initiatives, for a-n Knowledge Bank |
| 2006-7 |
co-editor and author of introductory essay You’ll Never Know: Drawing and Random Interference catalogue for the Hayward Gallery touring show |
| 2005 |
catalogue essay, Little Earth, London Fieldworks at the Wapping Project |
| 2004-5 |
reviews and features for Blueprint, Art Review, Art Monthly on Riga Sculpture Trienniale and the Liverpool Biennial |
| 2003 |
contributing writer Alastair MacLennan catalogue, published by Ormeau Baths Gallery, Belfast |
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essay/treatment on British Sculpture 1970-2000 for Channel 4 History of British Sculpture series |
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introductory essay, ‘How to Live – a collaborative research project by Bobby Baker and Dr Richard Hallam’, for Experiment: conversations in art and science published by the Wellcome Trust |
| 2002 |
contributing writer, Syzygy/Polaria, published by Black Dog |
| 1999 - 2001 |
articles and reviews in Untitled and Public Art Journal |
| 2000 |
catalogue essay on Hayley Newman for Becks’ Futures, ICA |
| 1999 |
co-editor, Artsadmin : Twenty Years, a visual anthology of projects by artists associated with Artsadmin |
| 1998 |
co-editor, A Split Second of Paradise, writings on live art, new performance and installation, published by Rivers Oram |
| 1997 |
author, Low Tide - Writings on Artists’ Collaborations, essays on Bruce Gilchrist, TEA and Disorders at St Thomas’ Hospital published by Black Dog |
| 1994 |
catalogue essay, Fallow Field, an exhibition by Tony Sinden, Stan Steele and Lulu Quinn, Royal Festival Hall, London |
| 1992 |
chapter on “Working Methods”, Art in Public, AN Publications |
| 1991 |
chapter on “Live Art Funding”, Live Art, AN Publications |
| 1990 |
article on Silvia Ziranek, Performance Magazine |
| 1989 |
article “Out in the Open - Live Art in Britain” Video Guide, Canada |
| 1989 |
essay for the programme, National Review of Live Art, Glasgow |
| 1987 |
essay “Performance Art in Britain, 1985-87’, Live Art Now,
Arts Council of England |
| 1986 |
catalogue introduction, Silvia Ziranek: International with Lipstick
Anthony Reynolds Gallery, London |
| 1986 |
article on Rose Finn-Kelcey, Performance Magazine |
| 1984 |
essay on Rose Finn Kelcey, The British Show, British Council |
| 1984 |
chapter “Galleries in Arts Centres”, The Artists Directory, AN Publications |
| 1981 - 83 |
catalogue essays for a number of South Hill Park touring exhibitions including Bookworks, Graham Dean, Out of Print |
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